Statement

Theoretical foundations and intellectual framework

My paintings contain all the social and cultural artistic experiences and knowledge that I have gained over many years of careful and sensitive observation of the natural environment and society.

In a sense, it is a reflection of the look that reached me while walking in the back alleys, streets, markets, parks, etc. of the city.

The shapes are designed and then integrated into the combination of geometric and traditional forms that I have used in my previous works.

The idea is achieved in continuous designs.

In other words, in a painting, the relationship of form, color, space and other visual elements and materials reach unity in a random structure.  So that we can compose and structure

Bring new to the topic and topic.

The form in my paintings does not imply a specific subject and is used completely independent of the narrative or symbolic meaning.

The structure of the image is formed by following the principles and abstract method.  As a result, the expression of the image and its content is created without referring to the literary meaning.

In the same way, the color is also in the composition of the form.  Space, texture, etc. play a role in abstract structure.

Working on large canvases is amazing and interesting for me.  The big canvas surrounds me at work.  And it is at that moment that I can easily enter the painting and create the work as I like.

When done right.  Painting calls me, then I surrender myself to work.