The riot of memories
Heshmat-ollah Behzadi is from the same generation of gold born in the 20’s. A generation whose relationship with the art school of fine arts in Isfahan is deep and eternal. Behzadi, in the 40’s where Isfahan’s art exhibition and art event is not traditional today, displays in Abadan and modern Ahwaz at that time, and these works are also featured in prestigious Tehran exhibitions.
The roots of Behzadi are back to Isfahan and during his teenage years, with the first spark of art: “Our house was a choreographed painting. After school, I went to a stamina on Shaykh Bahai Street, which stroked the most beautiful beauty, and placed its dark signs on its display. That’s where the master of the work disappears. “The fine art school for Behzadi, 13, is all about her. The first day is the decisive day: “On the first day of the Isfahan Fine Arts Conservatory, they told me to go through the design of Mr. Poursafa. The professor also said that I must learn materials and design. “If in recent years, despite the lack of centers of art and colorful artistic classes, the student is always sacrificed and abused financially and even spiritually, but 60 years ago in Isfahan and at the fine art school such It was not, and everything was calculated and supported by an immersive approach: “Every year we provided the pen, the color of the painting, and everything we needed for our paintings. Professor Poursafa wrote the requirements and we were going to take from the warehouse. Even every year Eid donated sixty Tomans as an artist’s encouragement. “The professors were also exceptional professors:” Hajj Mosaverul Molki had a room and accepted the students of the Conservatory. This master taught us how to make brushes from the cat’s back. Master Bahadori also married in hand in Iranian art. The professor was like a kind and loving father once a week to our class. “The conservatory’s exams were not a bit of exams, and with planning, and even tedious:” For the last year, Professor Poursafa took us to the field of play and all of the children in a place. It was winter, and the canvas and paint were with us. I took it to the top of the Sheikh Lotfollah Mosque and told me to draw this Isfahan and Isfahan. My hands were frozen. He began to paint himself and began to go throughout the day. How long we should deliver the work. “The six-year course of the Conservatory ends, and the path to Khuzestan is a continuation of Behzad’s life. Several solo and group exhibitions in Abadan and Ahwaz, where modern conditions are experienced, is a young and passionate way of life.
Isfahan enchantment is a return to this city again, but 60’s is the cultural and artistic vacuum of Isfahan. Patience and teacher in 68 and the start of the artist’s exhibitions will lead to five individual exhibitions in the classical gallery. Iranian paintings and modern styles are exhibited, and the exhibition is a place to visit old professors and students. Thirty years ago, its first exhibit in Isfahan and in the classic gallery was presented to its three professors: “Bahadori, Abu Ata and Poursafa”.
Today, at 77, with a quill artworks , history and bitterness of humor, it has taken an impressive look at the events surrounding it. Heshmatollah Behzadi, with a poetic look, has set our times in such a way. And in addition to seeing the works, the exhibition can be the presence of old schoolchildren, the golden and irreversible generation of 60 years ago.
Hamed Ghasri
