in the name of God
Persian painting has always been in the background of history with decorative motifs and these designs are considered as one of the intrinsic components of Iranian painting. These fantasy and paradise landscapes are created for the viewer, which also leads to human philosophy and wisdom.
Iranian aesthetics emphasizes the eye-catching and overall coherence of the work, and motifs in this eye-catching role.
At the present exhibition, which is based on the postmodern approach and the contrast between tradition and modern life with the material of media mix, human figures have been chosen from contemporary and contemporary living environments, and have been used in opposition to Slimy and Khatayi designs, and existing paradoxes In everyday life.
Colored spaces that were originally used for the field of work are limited in figures and sometimes create backgrounds and frameworks for paintings that have active texture. On the other hand, decorative motifs fill the entire image space, and in The semantic and aesthetic confrontation with human figures is on the board.
In this collection, we try to show the contrast between past and present (tradition and contemporary life).
Hosseini
July 2018