In the name of God

The works presented in the exhibition “A Role in the Path” although have benefited from the common techniques in the art of calligraphy painting but are significant in terms of combining with other arts and creating composite works. They have an obvious approach to modern space in addition to their approach to traditional space in the design of forms and colors. That’s why looking at them take the viewer into a bipolar orbit, contrary to popular belief that tradition and modernity are at odds with each other, they seek that find a connection between them, and in this way, they do not give up the induction of the concept and try to communicate with the viewer by using other arts and sciences such as graphics, calligraphy, color psychology, and different styles that not so common, in the best possible way.

Artists have tried to use their unique color palette. The forms and colors in order to induce the concept are such that even in spite of the apparent similarities, in the concept, completely different and draw the viewer to the answer questioningly.

The policy of the exhibition “A Role in the Path” is creating an approval relationship between tradition and modernity with an orientation conceptual art, using common techniques, and incorporation with the other arts.

The world began with a point

Sometimes the beginning of life

Sometimes the end of life

Undoubtedly, in a system that is boundless to the boundary

The point is but the beginning of the line

A line showing continuity and hope

The horizons of life and the perspective of the space in which the drawn is repeated

They are arranged below or side by side as if they were

Tied together in tight arches and empty holes

The archer’s occasional opening and the circular arches in the abstraction of refinement

Revelations in the vowel of letters and symbols of interconnected tissues

In the episode of role and imagination that watched the landscape of paintings.

Playful and playful characters with hanging letters consistent with the nature of the painter

Perhaps in the light of his enthusiasm perhaps a reason

What is the decree of living and its meaning, how can that be?

You can be happy or be wondered of it, or even be in harmony with what is sitting on your mind or worn off your heart.

What matters is not at all important

What matters is the believer’s belief in being current

His adventures are interspersed with colorful, sometimes even, coherent tissues

Sometimes savage and sometimes selfish, sometimes lively, sometimes delighted

All the property of the painter is rolled up on canvas tissue and lives on this canvas!

Ali Sajadiye